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An approach based on self-learning and recognition of rhythmic and melodic patterns. Original tunes rather than abstract sight-reading exercises. 195 carefully graded pieces in a range of musical styles. Eight sections related to the technical development of the oboist, with tunes using three notes to tunes with a range of nearly two octaves, from low…
An approach which includes sight-reading in daily practising at an early stage. Instead of dry exercises, these editions focus on the use of idiomatic melodies. This is how sight-reading is meant to be – FUN!
This illustrated edition for oboes also includes lyrics and chord labels for improvising accompaniments. Companion CD includes full performances and accompaniment tracks.
This set piece from this year’s ARD competition combines the tradition in the harp repertoire of harking back to Baroque elements of form and style with selective use of sophisticated contemporary techniques. The most notable of these are the use of a bow to play the melody of the Aria, while the accompaniment is plucked…
Czech composer Fibich (1850-1900) composed this lovely melody originally for piano; it was then adapted into the symphonic poem At Twilight, opus 39. Sensitively arranged here for horn and piano by Wolfgang Birtel.
Czech composer Fibich (1850-1900) composed this lovely melody originally for piano; it was then adapted into the symphonic poem At Twilight, opus 39. Sensitively arranged here for trumpet and piano by Wolfgang Birtel.
Czech composer Fibich (1850-1900) composed this lovely melody originally for piano; it was then adapted into the symphonic poem At Twilight, opus 39. Sensitively arranged here for violin and piano by Wolfgang Birtel.
Czech composer Fibich (1850-1900) composed this lovely melody originally for piano; it was then adapted into the symphonic poem At Twilight, opus 39. Sensitively arranged here for viola and piano by Wolfgang Birtel.
Czech composer Fibich (1850-1900) composed this lovely melody originally for piano; it was then adapted into the symphonic poem At Twilight, opus 39. Sensitively arranged here for flute and piano by Wolfgang Birtel.
Czech composer Fibich (1850-1900) composed this lovely melody originally for piano; it was then adapted into the symphonic poem At Twilight, opus 39. Sensitively arranged here for oboe and piano by Wolfgang Birtel.
Czech composer Fibich (1850-1900) composed this lovely melody originally for piano; it was then adapted into the symphonic poem At Twilight, opus 39. Sensitively arranged here for clarinet and piano by Wolfgang Birtel.
