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Total products: 90

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Image not foundThe Sceptre S6 two-way monitor combines an 6.5-inch low/mid-frequency driver and a 1-inch (25 mm), horn-loaded, high-frequency transducer into a single coaxial unit with aligned voice coils. Its advanced coaxial design, based on Fulcrum Acoustic's TQ(TM) Temporal Equalization, works integrally wi
$899.99 Sceptre(TM) S6
Image not foundThe Sceptre S8 two-way monitor combines an 8-inch low/mid-frequency driver and a 1-inch (25 mm), horn-loaded, high-frequency transducer into a single coaxial unit with aligned voice coils. Its advanced coaxial design, based on Fulcrum Acoustic's TQ(TM) Temporal Equalization, works integrally with
$999.99 Sceptre(TM) S8
Image not foundIntended for serious personal studios and professional music-production environments, the Temblor(TM) T10 lets you take charge of the low-frequency foundation of your mix. An ideal companion to Eris(TM) and Sceptre(TM) active reference monitors, the Temblor T10 compliments full-range monitors wit
$449.99 Temblor(TM) T10
Image not foundEnjoy solid-state clarity or tube warmth with the BlueTube DP dual-path mic/instrument preamp, which features both PreSonus classic Class A XMAX(TM) solid-state mic preamplifier and a high-output, 12AX7 tube preamp that operates on voltages double that of other preamps in its class, providing lot
$254.99 BlueTube(TM) DP V2
Image not foundThe Studio Channel is great for studio and live use. Its Class A preamp features a high-output 12AX7 tube and Gain and Tube Drive controls. The full-featured, VCA-based compressor includes Auto Attack/Release. The EQ can be pre- or post-compressor and has a fully parametric mid band and semi-para
$359.99 Studio Channel
Image not foundTwist the TubePre V2 Drive saturation control and add the ìcolorî that only a hand-selected 12AX7 vacuum tube can deliveró from gentle warmth to total fuzz. Unlike other compact tube preamps, TubePre V2 starts with the low noise, high headroom Class A XMAX preamp input stage found in our premi
$159.99 TubePre V2
Image not foundThe professional choice for monitor control, the Central Station PLUS enables you to easily manage three sets of stereo analog sources and two stereo S/PDIF digital sources and audition them with three pairs of speakers. You get screaming-loud headphone amps; fast, accurate metering; an audiophil
$659.99 Central Station PLUS
Image not foundTired of straining to hear the headphones? The HP4's four 130 mW headphone outputs are clear, clean, and screaming loud, all packed in a compact, 1/3U chassis. Features include balanced L/R line inputs and outputs, global mute, overall level control, and sum to mono. The line outputs can feed ano
$149.99 HP4
Image not foundThe HP60 solves a host of common headphone-monitoring problems. Each of its six headphone amps puts out 150 mW; if you can't hear this headphone system, you're stone deaf. Two global input channels and a Mix control let you adjust the click for each musician. Individual inputs let you send each m
$339.99 HP60
Image not foundEasily manage multiple sources and monitor speakers from your desktop with two sets of stereo, line-level inputs, a pair of RCA aux/phono inputs with defeatable RIAA filter, and three pairs of speaker outputs. You also get Main Mute, Mono, and Dim; main and cue outs; four loud headphone amplifier
$349.99 Monitor Station
Image not foundPreSonus' high-definition HD7 headphones take advantage of a patented, semi-open sound chamber to deliver exceptionally deep low frequencies with a balanced and yet powerful bass punch. Accurate midrange and extended treble response let you pick out the fine details of a mix or track. The lightwe
$64.99 HD7
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$19.95 150-HDUS480047-08400-1R
Image not foundSafely and quickly rackmount your PreSonus StudioLive 1602 mixer. Installations only takes a few minutes then you can rack your 1602 for ease of transport, or to position it in your mixing table or side rack.
$29.95 Rack Ear Kit for StudioLive(TM) 16.0.2
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$19.99 Protective Cover for StudioLive(TM) 16.0.2
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$79.95 Bag for StudioLive(TM) 16.4.2 Mixer
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$129.95 Heavy Duty Platform Dolly for StudioLive(TM) 18sAI
Image not foundThe PRM1 is a special type of condenser microphone that provides an accurate reproduction of a room's sound characteristics for use with audio-analysis tools such as real-time analyzers (RTAs) and spectrographs. It has an omnidirectional polar pattern and exhibits linear frequency response betwee
$99.99 PRM1
Image not foundA great choice for mobile musicians and podcasters, the AudioBox iOne is USB bus-powered, compatible with Apple iPad®, compact, ruggedly built, and works with virtually any Windows, Mac, or iPad recording software. It offers one instrument input and one mic input with high-performance Class A mi
$69.99 AudioBox iOne
Image not foundA great choice for mobile musicians, sound designers, and podcasters, the AudioBox iTwo is USB bus-powered, compatible with Apple iPad®, compact, ruggedly built, and works with virtually any Mac®, Windows®, or iPad recording software. It offers 2 combo mic/line/instrument inputs with high-perf
$89.99 AudioBox iTwo
Image not foundThe PreSonus HP2 is a compact, battery-powered headphone amp that can be used on stage for in-ear monitoring or in the studio with conventional headphones. This mono/stereo amp features volume and pan knobs, an 1/8 inch. headphone input and a mini-XLR input that's available on the back. In mono m
$129.99 HP2
Image not foundThe Eris E44 and E66 deliver an expanded and highly accurate frequency response and the widest stereo field available in their class. Their nested Midwoofer-Tweeter-Midwoofer (MTM, also known as D'Appolito) configuration offers improved off-axis response and spatial resolution. The result is a mo
$319.99 Eris E66 MTM
Image not foundThe R65 and R80 feature a custom 6.8-square inch Air Motion Transformer (AMT) tweeter that responds to the subtlest waveforms and the highest frequencies. This allows you to hear the air and the greater sense of space that is characteristic of audiophile recordings. The R series' transparent and
$429.95 R80 Monitor
Image not foundEach type of power amplifier has advantages and disadvantages. By employing different amplifier types for each driver, AIR10 loudspeakers use the respective strengths of Class D and Class A/B amplifiers to provide optimal response throughout the speaker's frequency range. A 500W (continuous), Cla
$499.99 AIR10
Image not foundEach type of power amplifier has advantages and disadvantages. By employing different amplifier types for each driver, AIR12 loudspeakers use the respective strengths of Class D and Class A/B amplifiers to provide optimal response throughout the speaker's frequency range. A 500W (continuous), Cla
$599.99 AIR12